Archive for the ‘Vancouver BC Band’ Category


Hello all,

A quick post to say hello and to also let you know about a few shows of interest.

Tonight at the Media Club are the AWESOME bands Sex With Strangers and Fine Times with guests The Never Surprise.  The Media Club is at 695 Cambie Street in downtown Vancouver.  Doors are at 8pm and its a licensed bar so you have to be 19+.

The other show is not until February 22, 2013 at the Rickshaw Theater – here is the event link:

The Electric Demons

I’ll be at the Rickshaw show for sure taking photos and chatting up new friends and old.

Cheers!

 

 


Mystery Machine – Western Magnetics (Sonic Unyon Records)

Released: 11 September 2012

By Jade Sperry

Formed in Chilliwack BC back in 1990, Mystery Machine are still kicking out their jams. With their new CD Western Magnetics released a few months back, they did a short tour to follow up their CD and celebrated their CD release show at the Astoria in Vancouver back on October 13.

The band have released 3 prior albums called Glazed (1992), Ten Speed (1995) and Headfirst Into Everything (1998). They’ve been on a hiatus of informal means and have recently signed on with Sonic Unyon Records (in my hometown of Hamilton ON). This new beginning has also given birth to a new album.

The current members are: Shane Ward, “Bean” Chris Switzer, Luke Rgalsky and Mario Nieva. Original band member Jordan Pratt appears on 5 of the 10 tracks. This was recorded between 1999-2011 at 3 studios in Vancouver: Mushroom, Slack and Big Midet with Vince Jones, Blair Calibaba and Tim Oberthier handling all production duties, and Noah Mintz mastered it at the Lacquer Channel.

CD Cover art

Track listings are as follows:

  1. Pronto
  2. Japanese-Dads
  3. Runaways
  4. Octagon Skylight
  5. Floatist
  6. We Won’t Return
  7. House On Fire
  8. Snow
  9. Bullshit Patrol
  10. Northern Analog

The first track “Pronto” is a fast edgy song that has a lot of fuzzed out guitars and a wall of music – much like the early 1990′s movement in bands like Sonic Youth, Nirvana and My Bloody Valentine to name a few.  Speaking of “Have you seen the world?” is the question through the song that a listener has the chance to answer for themselves.  “Japanese-Dads” is a similar song in musical style but there are no lyrics – just a good song with a happy uptempo and decent melody. “Octagon Skylight” is a ballad type song that proclaims “you’re alright/i’m your maker/you can’t deny/things are changing now”.  I like the melody of this song as it’s very smooth and re-assuring in a calm way.  This song is mixed well.  For the most part, this CD takes you back to the 1990′s in a friendly way.  The other standout songs are “Snow” and “Bullshit Patrol”.

All in all a good CD and a welcome return by Mystery Machine.  If you’re into the ’90′s alt music, this would be a CD you’d like.


Hello everyone!

I’ve been asked for an interview on what I do here on the blog!  You can find the interview HERE

Let me know your thoughts on it.  Happy reading!

And I will be posting some more articles over the next 3 days.

Cheers!

Jade Sperry


The Zolas – Ancient Mars

Released:  October 2, 2012

by Jade Sperry

After debuting with Tic Toc Tic in 2009, The Zolas climbed the precipice of cult status across Canada, thanks to a very loyal fan-base carried over from Zach Gray (vocals, guitar) and Tom Dobrzanski’s (piano) earlier years as Lotus Child.  With Ancient Mars, The Zolas are set to continue their legacy of postmodern pop. Armed with poetic lyrics, Ancient Mars trades in the cabaret glitz of Tic Toc Tic for reverbed pianos and hard, minimalist beats.  In each song, Zack Gray builds a skeleton of a setting for a song – from outer space to a college library to a Victorian jail cell – and tells stories fleshed out with the listener’s own history.

If John Lennon and Kanye West met later tonight at a hotel bar, “Escape Artist” is the song they would write. It’s these kinds of pairings that Ancient Mars is full of:  The Zolas write classic pop songs and then fuck them up until the hooks have to fight to get out.  In October, The Zolas teamed up with Winnipeg’s The Liptonians to release a 7” split single “Cultured Man”, a quixotic snack in between the two full-length albums.

Tom Dobrzanski is the band’s on-board producer, having worked with names in indie-rock royalty like Said the Whale and We Are The City.  But for Ancient Mars, the production duties were handed over to Chuck Brody (Tegan and Sara, Ra Ra Riot, Yoko Ono, Phantogram, Wu-Tang).

The track listing for the CD is as follows:

1.    In Heaven

2.    Knot In My Heart

3.    Ancient Mars

4.    Strange Girl

5.    Escape Artist

6.    Observatory

7.    Local Swan

8.    Euphrates and Tigris

9.    Cold Moon

10.   Cultured Man (Bonus Track features The Liptonians)

The Zolas at Squamish Live Festival - picture courtesy of Yolande Cole and the Georgia Straight.

I’ve been a fan of The Zolas since their debut in 2009.  In the past years, Zack has played in a number of other bands in the Vancouver area (Henry and the Nightcrawlers) and has done solo sets opening for his friends’ shows (David Vertesi of Hey Ocean!).  Tom Dobrzanski is a brilliant artist in his own right – from producing to recording to piano man – he gets the job done.  Tom also has his own studio called VERTICAL STUDIOS here in the Vancouver area and does well for himself.  These are 2 artists that have a lifetime of talent between them; and possibly more.

This is a solid 10 song CD.  “In Heaven” is an odd but interesting song.  The music is slightly out of key and is in the minors but it has an excellent melody which gives it a moody feel.  The guitars, pianos and drums all blend together quite well, and the song itself gives off a life of its own.  It’s a well written song that has character.  “Knot In My Heart” has a really cool melody and groove.  This song changes from mid-tempo to uptempo in the bridges and the chorus.  It’s a well written song that’s mixed well.  “Ancient Mars” has a mellow vibe and is in 3/4 time.  I particularly like this song as it’s got a personality in the melody.   “Escape Artist” has a nice flow throughout its 2:42 of life.  The song starts with pianos and then it begins to build with the other instruments in a short period time.  Awesome!  The other standout songs are “Local Swan” (Montreal setting with a girl who may or may not remember a meeting), and “Cold Moon” (a ballad type song that flows well stripped down).

Photo of The Zolas at Sqaumish Festival – courtesy of Yolande Cole and the Georgia Straight.


Hey all,

This is a late post but if you’re in Vancouver this evening, in about an hour, a really good band called Cupla are onstage and live!  So if you’re wanting to just pooh on the rain, come down and get crazy with live music!

And if you’re like me and are in your jammies with the windows closed you can watch the LIVE FEED from The Roxy in Vancouver right here:

http://www.ustream.tv/channel/travisrankin

I’ll be reviewing the show from the live feed as well as testing out some new photography equipment in getting photos from a live feed.  I’m excited and you should be too!

Thanks everyone for checking out the blog during the holidays and a Happy New Year 2012!!!  Big changes coming in 2012 to this site.  Stay tuned!!

Cupla at The Shark Club November 2010.  Photo by Jade Sperry.

Jade Sperry

The Roxy, Granville Street in Downtown Vancouver


In early September, I had just sent out interview questions to a few people when I had to stop all work and ended up in the hospital due to a major drug reaction that took me down literally.  I’m at home and recovering now, but, I’m kind of in a weakened state due to the burns on my legs and feet.

I have just received these back from Gabriel Savage of the Vancouver band THE NICHE who were the Band of the Month with CFOX this past October 2011.  There is a lot of buzz about this band because they are a performance based band with terrific music.  They don’t have a lot of music online yet, but that’s only a matter of time before that happens.

I’m reviewing a song that was sent to me called “A LA RUE” which sounds like a carnival trip on the psychedelic side of life.  I’m reminded of 1960′s band The Doors, but, Gabriel takes the song and makes it his own vocally.  I’ve seen this band in action onstage and they are dynamite! Kaylar definitely rounds out the band with her odd sounds from the keys or her sax, Ryley does a great rhythm and lead guitar in this song, new member Chris is funked out with his root bass chords through the song and Mario’s drums carry the song on into infinity.  I really dig this band and its not hard to figure out why.

The current lineup is as follows:

Gabriel Savage – Vox

Ryley Kirkpatrick – Guitars

Chris Seversen – Bass

Kaylar Chan – Keyboards/Sax

Mario Beer – Drums and percussion

The Niche

The Niche live @ the Railway Club, Vancouver BC – photo courtesy of the band

What goals in relation to the band are you setting now to work towards over the next year?

We’re working towards releasing our EP within the next six months. We’ve just trained a new bass player so we had to take a break from recording for a while. We’re hoping to be able to get everything done by Spring. The songs are all there and ready, now it’s just about having the funds and resources to back us in the process.

What personal goals has the band as a whole achieved in the last year?

For the most part, we’re happy with where we’re at. Everyone’s enjoying the stages as they come and are looking forward to the next steps. Being Fox’s Band of the Month for October had its benefits, and so does playing shows regularly. We’re always happy to hear the good things people have to say after we play for them, so that’s always a bonus. As far as goals though, we’re just happy to have come this far in only a year, and are looking forward to the next stages of our career together.

As a band, what has been the best thing that has happened, and the worst thing?

The best thing is that we’re all still playing with each other and are enjoying our time together. Like I said, it’s always great to hear such positive feedback; it keeps us enjoying what we do knowing that others are enjoying it also. I can’t think of the “worst thing” yet. I think everything has happened in good time and for a good reason.
At first it was a bit of a drag losing Cory and having to go about finding a suitable replacement –which always takes a long time— but now that we’ve got Chris on the team it’s been really great. He’s been a great addition for the band and we all really enjoy working with him.

How do you see the current state of the Corporate Music Industry? Do you think it has changed since the “old” days before the internet? And, how do you feel about the DIY bands that are becoming mainstream? (arcade fire for example)

There’s no doubt that it’s changed, but that’s the way things have to happen. We have to evolve with the world around us. That goes for all aspects of the media. These days, if you want something, you’ve just got to work all that much harder for it, which makes it all the more worth it when it finally happens.
Arcade Fire are doing really well for themselves and that’s great to see.

Do you feel that the band has control over how your music reaches the fans? And if yes why do you feel this way and what factors into that?

Yes, being Indie has its benefits. There isn’t a lot of censorship, and we can pretty much say, do, write, and perform anything we want without any legal binds. There’s no doubt that it would be easier to reach people if we had all of our ducks in order (a finished album/EP/quality videos, etc) but right now, we’re doing everything on a real tight Indie budget so it does make it hard to do the right things all at once.

How would you describe your music to someone who has never heard your music before?

The mood I get from it is a sense of being aware but not quite at home with your surroundings. Kind of like a sailor who goes out to sea, prepared for the storm, but not necessarily ready for it to happen, you know what I mean? It’s got sort of a heavy, dark, gloomy feeling, but there’s more to it than that. There’s a sense of depth that people probably won’t hear if they’re just dancing or drinking at the bar, but that’s not to say they won’t enjoy it. They just wont walk away as satisfied as the people who were paying attention. I’d really like to try something a little different than what we’ve been doing. Maybe a couple hip-hop tunes, or something considered more “Pop”, just to give it a try and show people that we’re not stuck sounding the way we do, we just choose this sound over others because we feel it gets our message across in a way that isn’t really being done these days.

The Niche on tour – photo courtesy of the band

Who are the primary songwriters in the band?

So far I’ve written all the lyrics, but as a band we all of an equal say in the songwriting process. Sometimes I’ll come up with most of the idea on a guitar or bass, but after the initial blossom I usually pass the idea on to Ryley or Chris to give it some extra flare. I use instruments as more of a songwriting tool. That’s why you’ll only ever see me with a microphone and maybe a maraca on stage. (laughs). Although I do have a harmonica mic, but I just use it to achieve a sort of Tom Waits vocal effect, kind of like a megaphone.

Collectively, how does the songwriting process within the band go? Do you jam it out in rehearsal space?

We all work together to write the songs. Most of the time it starts with lyrics and a melody, but there are a handful of songs that have emerged from just a guitar or bass lick, or some sort of sound from the keyboards. Usually I’ll come into a session with an idea, and then the band will work some sort of arrangement around my lyrics. It all comes together pretty naturally though, it’s really quite a special process to be able to be involved in.

How did you come up with the band name?

I got the idea from “The Birth of Tragedy” where Nietzsche talks about the artistic elements of the ancient Greeks. ‘The Niche’ is meant to refer to the joining of the two different opposing art forms, that of Apollo, god of structure and stability, and that of the more dreamlike & ecstatic creations of Dionysus.
We’ve got an interesting balance of artists in the band, we’re all very different from each other, yet are perfectly suited for each other creatively. I think the name just really sums us up to a point that no other name would be able to achieve. Anyone who reads the Birth of Tragedy will probably get a pretty good idea as to what it is I’m trying to do.

What is your opinion on the music scene in Vancouver? Do you feel that there are enough venues for bands to book shows? And is there a lot of competition as well?

There are lots of venues and lots of bands to play them. There are a handful of swell promotion companies out there, however not many of them have touched us because we’re considered “too different” from most of the other bands in the circuit. I don’t blame them though, we haven’t got enough quality tunes online to really give the promoters an idea of what we’re about. So it’s been a struggle, we’ve had to book a lot of our own shows or team up with bands that we’ve become friends with. But its been fun, I’ve got no hard feelings, I’m pretty patient and forgiving! (laughs)

What bands/singers/songwriters did you all listen to growing up? And why are/were they important to you now that you’re in a band?

We each come from different musical and artistic backgrounds which, when blended together, sound like something that isn’t quite jazz, isn’t quite funk, and doesn’t fall under the typical blues structure, so we’ve been calling it ‘Sonic Rock’. Just sounds, man. A lot of the music is written to be a sort of soundtrack to the lyrics and images we try to convey with the songs.
I can’t really speak for everyone else, but my biggest musical influences were Elvis, Sinatra, and Johnny Cash. One was a performer, the other could croon, and man, could Cash tell a great story.

Before this band you had another band – what happened to Kick The Ashes?

Yeah, I joined Kick the Ashes as their songwriter. It wasn’t really my project, I was just another member. We were together for just under a year until we decided it was time to kick the bucket on Kick the Ashes.

How did you meet all the band members in The Niche? Are there members from Kick The Ashes?

I met Ryley and Mario through Kick the Ashes. We started playing with each other again in 2010 and decided to form another band. From there we had auditions for a bass player, and then Ryley’s girlfriend, Kaylar, came into the picture as the keyboardist & saxophone player.

What’s the best part about being in The Niche?

I just love that my words are being put to use, It’s great to have the opportunity to be able to present your artistic creations in such a personal and engaging manor. It’s really quite special. Plus, it’s awesome having the opportunity to work some of my closest friends on such a regular basis. I don’t think I could ask for anything more, except for maybe a good record contract, that would sure help us out financially! (laughs)

You can find The Niche at the following locations:

The Niche website

Facebook

Twitter

Supernova.com


Song Preview for new Cupla Single

Release Date for Single: November 1, 2011

Release Date for CD Letters Home: November 26, 2011

by Jade Sperry, Jadedphotography

 

Cupla

Vancouver’s Cupla (on Supernova.com) are making waves among the indie scene in the downtown core. They’ve just finished recording for their new CD (entitled Letters Home) and they’ve sent me a preview song to review called “I’m Going”. The song is 3:15 and is very well mixed. The drumming Bill lays down is hard and consistent through the song and the guitars (by Ken and Bobby) sound well blended and well paced (in the bridge the guitars go off in two distinct directions and then come back together and lock in to each other). Tricia has great vocals that are monochromatic which works well with the melody, and I have a feeling that more is yet to come from this talented vocalist. The only downside is that I really couldn’t hear the bass that Travis grooves on very well on this mix as it is buried by the layers of the song. However, I would rate this a 4 out of 5 stars because of the steady flow of the song, the melody and how well the vocals match the melody. And, I’m looking forward to hearing new songs by this undiscovered and talented band.  The lyrics for the song speak of a bad relationship and needing to break free of that and make a new start.

Cupla will be hosting a CD release party on Saturday November 26, 2011 at The Troubadour in Langley BC. Letters Home was recorded at Greenhouse Studios with Chris “Hollywood” Holmes producing.


EP review – City Of GlassThe Diving Bell EP

Released: 21 June 2011

by Jade Sperry

Jadedphotography

EP cover. Photo couretsy of the band.

Vancouver’s City of Glass are having a very good summer. In June, they released their newest EP The Diving Bell and they are on tour in Germany and in the UK beginning August 12. I’ve written two previous articles on City of Glass which you can read here and here.

First off, I’d like to state that the mixing and mastering of this EP is superb. Having said that the first song is “Sticks and Stones” which has an upbeat melody that has a slight sadness or melancholy feeling to it musically. Lyrically, this song speaks of someone who’s questioning their life on a deep and personal level. I like the way the synths and guitars compliment each other and the vocals Michael delivers are done well with feeling and emotion. “Tourist” is slower in its tempo musically as well as having a slight forlorn feeling of regret weaved within the melody (“I can’t feel it anymore”). The synths are kind of creepy sounding but fit in the song itself in a subtle way. I like the haunted feeling of the song as well. “Little Shadows” has an infectious groove that invites you to get your groove on. Lyrically it sounds a lot like paranoia or of being paranoid (“spies hiding from the corner/when you’re alone”) as well as someone reflecting on their life. “Control” begins with syths that are dreamy and makes the song sound surreal. Odd time signatures and minor keys make this song a standout as well as the vocals that Michael lays down. This song is mixed and mastered particularly well which gives the song a full sound.

This four song EP is recommended if you like indie dance pop music.

City of Glass have several videos on YouTube – this video is for the song “Sticks and Stones” live:


EP Review – The Stick – Fight Mode

Released – September 30, 2010

by Jade Sperry

JadedPhotography

EP cover. Photo courtesy of the band.

The Stick are an electronic/trance/rap project from Vancouver BC and the 4 song EP is produced rather well. The track listing is as follows:

  1. Fight Mode
  2. The Grand Kowloon
  3. Pseudo Breaker
  4. Let Us Eat

At just under 2 minutes, the title track “Fight Mode” begins with some cool keys and when the voice comes in under the keys, it totally sounds like its underwater. Great opening for an electronic song! And the vocals get more layered into the music as the song flows very well until the fade out. “The Grand Kowloon” has some interesting sounds within the music and the song itself has some good time changes. With lyrics like “police say please/keep the peace” indicating that they don’t want to do that for the neighborhood where the rapper lives. This is very reminiscent of our society in today’s world. “Pseudo Breaker” opens with some funky electronic sounds with very good rap vocal structure coming right out of the speakers at you in a soft kinda laid back way. Speaking of “getting the scene” and “playing it safe” can be taken in many ways. I like the “mystery” in the vocals and how they are delivered and performed, especially towards the buildup at the end. “Let Us Eat” has a really cool groove and gets more layered as other sounds come into the song for the first minute and a half. The vocals sound far away which gives the song a good overall effect. Lyrically, it has nothing to do with food.

You can download the EP free from the link above and it would be well worth your while to have this EP in your collection if you like rap, electronic music with a trace vibe to it.


CD Review – Louder Than Love – Dark Days

Released in November 2010

by Jade Sperry

JadedPhotography

CD Cover for Dark Days.

Louder Than Love are a Vancouver based band that likes rocking out in a big way. Melodic with good time changes and strong songwriting skills, this band is going places. The members of the band are Paul Lambert (lead vocals and guitar), Tony Lambert (bass), Dan Okano (keys), Nate Parsons (rhythm guitar) and Tyler Thompson (drums). Their newest CD, Dark Days, is definitely a progression of their music and songwriting as well as playing together as one solid unit.

The song that stood out for this writer on the first listen was the third song “Bringing You In”. What I really like about this song is that it has a real Soundgarden feel musically to it but the band takes that sound and makes it their own. That is progression. Musically the song just flows from the first note to the last note. Lyrically it speaks of a woman permeating the essence of a man. Great song! Another song that stood out was “Michelle”. I really like the groove of this song. It kind of bites you but not in a bad way. I like that there are many musical influences in this song – Pearl Jam, Stone Temple Pilots and Soundgarden – which the band takes and they make it their own unique sound. The bass and drums are locked into each other which moves the song along. Lyrically it sounds like it speaks of not letting the world bring you down in any way.

Nate Parsons and Paul Lambert playing @ The Station, Seattle. Photo by Jade Sperry.

This CD has some really melodic, trippy songs but also has a blues/rock feel to it in many ways such as the songs “Just Like You”, “That Ghost”, “Never Going Back” and “Searchlight Soul”. One other mention – the song “Chemical Love” is a standout too.

The band are playing a show on Saturday March 12 @ The Shark Club with guests The Chase and Nightbus. Tix are $10 in ADVANCE and $13 @ the door. Doors at 8pm.